VEILED LIGHT | Amanda Brindley

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Glory be to God for light obscured, deflected, refracted
for fern leaves
carefully caned rocking chair lattice
and summer breeze pulsing light into substance

by the swaying, splayed spectacle 
of shadows on bland carpet
my own shape stretches starkly before me

and the warmth making its home in my sweater and skin and sinew
journeyed an atmosphere-piercing
93 million miles
to settle in this silence with me

flame burning through cobwebs and fern leaves and skin
till I see clearly 
the sacrament of all that is thinly veiled
the substance of light 
and my shadow

This poem was inspired by the sunlight shining through fern leaves and the lattice of an antique rocker beside me as I stretched in the warmth. I wanted to capture the way the light plays with what obscures it and creates substance and warmth wherever it reaches. This is a poem of praise to God for making us embodied creatures with skin and bones, eyes and nerves to receive the world.

 

 
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AMANDA BRINDLEY

Amanda lives in Southwest Ohio, where she works 9-5 in a local bookstore warehouse while dabbling in many creative endeavors--writing children's books, poetry, and creative non-fiction, watercoloring, drawing, baking and gardening. She loves connecting deeply with people, laughing and adventuring with her friends, hiking, and recommending Leif Enger's latest novel, Virgil Wander.

 

A NEW STORYLINE | Jenn Zatopek

Heil, Charles Emile. “Chickadee and Weed Pods.” 1890-1925.

Heil, Charles Emile. “Chickadee and Weed Pods.” 1890-1925.

At the end of summer, I traveled north to visit old friends. They live in a beautiful land, filled with oceanic meadows, breathtaking mountains, and enchanting hillside streams.  My girlfriend, a brilliant but exhausted woman, cooked delicious food, cared for her children, and allowed me to nurture her kids.

The weekend arrived, along with my birthday, and on that day, we ran errands to the farmer's market, and finished by going to a stock show. 

As we walked around the mammoth auditorium, I smelled the stench of fear, and heard the meat lambs crying out. Standing next to one of the stalls, a slate gray lamb writhed in its cage, bellowing frantically. My heart ached to witness such suffering, and I yearned to comfort it in some way, its primal fear so dreadful to witness. 

Here I am, on my birthday, watching suffering animals, a parade of pain.

Eventually, we returned to the car, and the boys bickered and the girl-child read a book to cover over her stress. Back at the house, my girlfriend and I spent the evening in the kitchen cooking and singing and dancing to the singer Adele, doing our best to find joy amid the rubble of life's sorrows.

At the table, my male friend prayed and blessed me, speaking so softly I barely heard him. I bravely held in the tears as the realization poured over me like a sudden onslaught of rain: I am not welcome here. 

What do you do when you feel as if you cannot be yourself with others?

***

In college twenty years ago, I became good friends with a fiery young woman named Daphne who proclaimed to be a rationalist.  She taught me how to eat with chopsticks at the local Vietnamese restaurant, the smells of delicious pho wafting to our hungry mouths.  Daphne invited me into her heart for friendship and we shared many hilarious times together.

But her primary means of interacting with me centered on proving herself the smarter one.  While a devout Christian, she had a mean streak with a penchant toward ridicule. She made fun of my eccentric ways, my curly hair, and my personality. At one point, she declared, "I have learned tolerance in becoming friends with someone like you."

Eventually, I let her go because I need friends who would allow me the space to be myself, in all my imperfect glory. However, I still befriended individuals who would find the soft, tender spots in me and hurt me.

Sometimes, we make the same mistakes in order to increase self-awareness, which will move us toward healing. Although touted in the popular culture, perfection in our behavior, thoughts, and feelings is not a possibility. Often, we make these same mistakes again because we are not yet aware of old patterns that rear their ugly heads at stressful moments in our lives.

But learning a new way of relating to oneself, in spite of how others treat you, is one of the great gifts of maturity, and modern brain science backs up this truth too. It’s called neuroplasticity; it means we can learn and grow until our very last breath.

Was my male friend unwelcoming of me or was it really a distorted perception brought about by ancient patterns of past hurts and fears? That old college friendship is gone, but I still had a chance to renew things now.

***

On Sunday morning, I warned my girlfriend I would skip church, that due to my increasing back pain, rest would be my church for the day. Truth be told, I was glad to be alone; I could recharge from the stress of travel in private.

After breakfast, I lounged on their large back porch, looking up at the dusty tan mesas, or rims as the locals call them. The sturdy sentinels of coniferous tress, spruce and pine, dotted the faraway hills. As I sat on the porch and relaxed into God’s loving embrace, I became as still as a moose in a forest thicket.  

What do you want to do next? I inquired gently for healing occurs when we become lovers of our bodies.

As I turned my head, a little red bird landed in the colorful geranium planter near my lawn chair.  In stillness, I observed the house finch pecking in the soil, its red head shiny and flitting about. It did not notice me, and I recognized it as a gift from above. St. Francis of Assisi was right about creation—it is a temple in which God continually dwells, the first Bible humans ever had.

Minutes later, it flew past me, only inches away, and my heart soared with pleasure.  This is where I find rest for my soul, I realized. In quietness, allowing my body to breath deeply and soak in beauty.

After the bird flew away, I listened to a podcast on the absolute assurance of the Divine's loving presence with us, in our bodies, minds, and souls. Weeping with relief, I heard truth proclaimed over me, that I am good and loved. My tears baptized me, and suddenly a new insight emerged: my friends are struggling and that my male friend’s soft birthday blessing was the best he could offer.  

It was never about me. The old meanness from relationships past no longer has to mar the friendships I have now. 

On my last night, all of us piled together in the basement, watching movies. My male friend gave me a hug and wished me a good trip home, asking me to bring my husband next time. With relief, I discovered he was glad to see me, that my expectations about how others should respond, got in the way of my birthday weekend.

But not anymore. God showed me, in Sunday morning quiet, that as I release old hurts and affirm a new storyline of peace, I practice his truth. I walk out his peace.


 
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JENN ZATOPEK

Jenn Zatopek is a recovering perfectionist, writer, and licensed professional counselor from Texas. She has a master’s degree in counseling psychology from Tarleton State University, and has been accepted to Brite Divinity School to pursue a degree in theology. Her work has been featured at SheLoves Magazine, The Glorious Table, and Panther City Review. Jenn believes in radical kindness and her heroes include Fred Rogers and Henri Nouwen. You can find her writing about the intersection of psychology and spirituality at The Holy Absurd and at Instagram @theholyabsurd.

 

KEEP TRYING | Michael Kennedy and Vania Hardy

Singer-Songwriter Michael Kennedy and illustrator Vania Hardy brought their talents together in the making of “Keep Trying” - a delightful declaration of resilience after being knocked down. The song’s cheerful and catchy tune paired with Vania’s whimsical illustrations speak to the hope that is found in the hardships of life’s journey. No matter what we might face or experience, there’s always a reason to sing, and there’s always beauty to be found.

Both Micheal and Vania reflect on '“Keep Trying” below. You can stream or download “Keep Trying” here.

Vania Hardy, Illustrator:

”So many visual elements in the “Keep Trying” video are intentional. The story begins in the darkness before dawn. Further into the journey, the setting gets brighter and more hopeful.

Verse 2 is the turning point (“All the places I went wrong…”). We look up from the turtle and see the bigger context of where he is, and the beauty and purpose he’s surrounded by. The plants are based on real trees that grow in Hawaii—kauila and ‘ohia trees. The kauila tree was named after a mythical Hawaiian turtle and has leaves that are thought to look like turtle shells. The ‘ohia tree, which grows bright red flowers, is one of the first plants to grow out of the new land that settles from a volcano eruption, so it’s a symbol of new life springing from death. The verse ends on a shot of a volcano in front of a sun-lit sky.

After the second chorus, we dive right into the ocean. This shows us what the turtle is crawling towards but hasn’t seen yet—vibrant beauty and the start of a brand new adventure! And sure enough, in the end, the turtle does end up making it to the ocean.

I’m originally from Hawaii and was even a hula dancer. My childhood was filled with cultural stories and legends. When you’re a dancer, you learn a lot of the traditional songs, many of which are about nature symbolism. Turtles have always been my favorite cultural icon, as they symbolize endurance, wisdom, and finding your way home. After 35 years of wandering around the ocean, female turtles always come back to the beach they were born on to lay their own eggs. The journey they take as hatchlings, of getting to the ocean, gets their bodies so imprinted on the unique magnetic field of their natal beach that they know exactly where to come home. 

I saw the true significance of that journey as I was illustrating the video. It’s where the turtle’s identity is formed, where it’s prepared for the perils and adventures of the wider ocean—its “promised land.” This project found me in a healing process from a rough season, looking back and seeing the purpose in the pain. Working on this was such a great outward expression of that healing, and a way to encourage others!

Michael Kennedy, Singer/Songwriter:

Two years ago it seemed like almost all the plans I had made for myself crashed down around me. I had just lost the most important relationship in my life, and beyond that I felt like nothing I was trying to accomplish at that moment was getting anywhere.

It was in the middle of the deepest point of my confusion when I wrote this song, as a way of grabbing on to hope even when I couldn’t see it. I couldn’t see evidence that God was doing something at the time but I wrote this line out anyway, because I knew that It had to be true:

“The mess I’ve made is all being restored,
turns out it turned into an open door,
and I’m expecting something.”

Several months later I entered the song into a national songwriting competition and I ended up being one of the winners.

“Keep Trying” is the first song from my new EP, ‘Here on Out’ and it represents a sort of beginning place of a journey from brokenness to restoration.


 
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VANIA HARDY

Vania is an artist and illustrator from Elizabethtown, Pa. Her art comes from the patchwork of her identity–from the various places she’s lived, the cultures that have shaped her, to the communities that have influenced her, and the faith that’s been her lifeline. She’s often inspired by stories and whimsy.

Being a third culture kid, Vania is fascinated by unexpected juxtapositions that create unlikely connections. She expresses that with splashes of contrasting colors, along with a balance of structured lines and spontaneous strokes. Without always trying, she tends to explore themes of home, identity, community, and legacy.

 
 
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MICHAEL KENNEDY

Michael Kennedy is a songwriter who uses his personal struggles and life experiences as inspiration to write songs of hope and encouragement. His goal is to help people come alive and discover their purpose, using music as a spark for them to begin thinking differently. The power that music has to create a different atmosphere where new things are suddenly possible is something Michael tries to utilize in the writing and production process. Michael currently works as a server, lives in Elizabethtown, and spends his free time writing or finding other ways to be creative.

 

PIECES: A PARADOXY | Krystal Hart

A semi-truck jackknifed and ran over my car. That moment - encapsulated by metal, glass, and pavement, suspended between the earth and the sky, became the catalyst for the work that engulfs me. My work is preoccupied with the essence of human transversion. I investigate physical, social, psychological and theological constructs of our human existence as we navigate a world in flux. The psychology and physiology of regeneration (resilience) in tandem with cacophonic environments interest me. 

The work rests in duality as I ponder what is and the possibilities of becoming. I stage environments suspended and void of time. For me adversities are human connecting points. I see my process as acts of intercession and networks of human connectivity. The work catalyzes hope and promotes empathy, endurance, and peace through experiential expression. 

In this selected body of work some of the adversities abstracted include: natural disaster, medical diagnoses, auto accident, relationships, loss, trauma, and pain.


Hart’s current series invites prayers and thanksgivings from friends and strangers. These abstract works painted with natural matter are influenced directly from text and imagery taken from personal, social media, and other outlets. Some works are time-stamped with specific notes to persons encountered trauma or adversity. The first works of this series was exhibited in a group show “Escapeism” in early 2019 at Atlantic Gallery in NYC’s Chelsea art district. A body of this work is currently on view in Durham, NC at her recent solo show “Pieces: A Paradoxy.” Hart’s painting processes are acts of intercession and a bridge for human connectivity, catalyzing hope in individual and shared adversities.

Hart, Krystal. “‘Live in the Already’ He Used to Say. 2338 hr.”

Hart, Krystal. “Though Mangled She Mingles.”

Hart, Krystal. “4:10pm Dawn from Death.”

Hart, Krystal. “Heartstring.”


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KRYSTAL HART

Krystal Hart is a North Carolina native. Hart received her BFA from New York Institute of Technology and is a distinguished recipient of various honors and residencies, including a 2007 Chair Person Fine Arts Award, a 2009 and 2012 Limner Society Residency, a 2011 and 2017 NC Regional Artist Grant, and the 2018 Mass MoCA Masters of Abstraction Workshop in Residency. Hart has a passion for serving her local and global community. Her work often provides a platform for cross-culture and cross-community experiences of a shared human condition. Her aim at shifting perspectives towards restorative and regenerative communities motivates some of her noted exhibition participation.